DENITA BENYSHEK
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Dr. Benyshek creates doorways to visionary, ethereal realms,
where viewers create meaning, while connecting intimately
​ to self, the life cycle, and the cosmos.
BIO

In early childhood, Dr. Benyshek lived in a farmhouse, amidst a Czech immigrant community in Kansas. She earned a BFA (Wichita State University), an MFA (University of Washington, Seattle), and a graduate certificate in the psychology of creativity, MA and PhD in humanistic and transpersonal psychology (Saybrook University, San Francisco). Benyshek attended the Pilchuck Glass School on a full scholarship and was an artist-in-resident at the Ucross Foundation, Wyoming. 
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For 15 years, she taught visual art and dance in the bush villages of Alaska. In the solitude of the  arctic, far from the coastal art scenes, she found her individual artistic voice. During this period, when she returned to Seattle, she also worked as a runway and print model for I. Magnin's and Nordstroms.
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In 2018, she was initiated as a shaman, through a traditional Naerim Gut ritual, by three shamans from South Korea. ​Her research focuses on contemporary artists as shamans, with publications in the USA, UK, Poland, Hungary, and China. ​
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Her artworks were included in group exhibits in west coast museums (Bellevue Museum of Art, Whatcom Museum of History and Art, Yakima Valley Museum, Coos Bay Museum, Corvallis Art Center, Museum of NW Art), with solo exhibits in Seattle, WA, Portland, OR, Sun Valley, ID, Santa Fe, NM, Ann Arbor, MI, and Wichita, KS.

Dr. Benyshek’s work is in the public art collections of the University of Washington Medical Center, Harborview Medical Center, King County Ethnic Heritage Collection, Glasmuseet of Ebeltoft, Denmark, and Snoqualmie Point Park. In 2022, OpenStudios selected Benyshek as the Botanica gardens artist-in-residence and, in 2024, she was awarded a Koch Cultural Trust grant. 
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​PUBLIC ART COLLECTIONS

Harborview Medical Center, Seattle, Washington

Ethnic Heritage Collection, King County, Washington

University of Washington Medical Center, Seattle, Washington

Snoqualmie Point Park

Glass Museum, Ebeltoft, Denmark

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RECENT SOLO EXHIBITS

2026     

The Sanctuary: Coming Full Circle, solo exhibit, MARK Arts, Wichita, KS (11/20/26 – 1/29/27)

2025        

Mandalandscapes, solo exhibit, University of Michigan Medical Center, Ann Arbor, MI 

Into the Garden, solo exhibit, Reuben Saunders Gallery, Wichita, KS 

Cosmic Spirits, Commerce Club at The National, Wichita, KS 


RECENT GROUP EXHIBITS

2026


Affordable Art Fair, Artio Gallery, Stockholm, Sweden (upcoming)

Women in Art Biennale London, Chelsea Old Town Hall, Artio Gallery, UK

Contemporary Visions of the West, Daum Museum of Contemporary Art, Sedalia, MO

Lotus and Lion: Contemporary Buddhist and Hindu Art, Shoshoni Retreat, CO

HERstory, Viridian Artists, New York City, NY

Tell Me What You Think of Me, Part 2, Salina Art Center, KS


2025        

 Visual art exhibit, 12 works, Clio Art Fair, New York City, NY

Calling Down the Gods. Behave as though God Exists performance series, May 8, 2025 
opening reception, Clio Art Fair, New York City, NY

MMX: Positive Disintegration, Mixed-Media Group Show, Harvester Arts, Wichita, KS, co-curated with Jo Reinert

HerStory: The Battle Continues, invitational group exhibit, Viridian Artists, New York City, NY

Versus, invitational group exhibit, MARK Arts, Wichita, KS

Creative Labor: The Art of Gestation, curated group exhibit

Invoke, group exhibit, WomensWork.Art at Cunneen-Hacket Art Center, Poughkeepsie, NY

Rituals, international juried exhibit, Millepiani Gallery, Rome, Italy

Coalesce, 4-person show, @art_up_stairs/Health Hub Gallery, New York City, NY

Lotus and Lion: Contemporary Buddhist and Hindu Art, juried group exhibit, Shoshoni Retreat, CO

Benyshek, D. (2025). The Beginning (The Birth of the Universe), Randall, J. (Ed), The Mama Temple Magazine, (1), color reproduction (pp. 17-18).
 
Benyshek, D. (2025). The Mother, We are Born of the Earth, Randall, J. (Ed), The Mama Temple Magazine, (1), color reproduction (pp. 7-8).
 
Benyshek, D. (2025). Invading the boys’ club, Ulrich Art Museum at 50: 1974-2024, T. Mott & V. Zavataro (Eds), Ulrich Museum of Art, Wichita, KS, p. 90.
 
Benyshek, D., and Coreopsis (Spring 2025). Interview, Part 1: Family and nature. Coreopsis: Journal of Myth and Theatre, Vol. 13, No. 1, ISSN 2333-0627.
 
Boles, D., Ed. (2025). VoiceS: Mysticism, Prophecies & Marigolds, Cold River Press, Grass Valley,  CA. 12 reproductions of artworks.
 
2024        

Winter Salon in Saffron, Cerbera Gallery, Kansas City, MO

cOLD Times, Viridian Artists, New York City, NY

Horizons, Midwest Center for Photography, Wichita, KS. 

Portfolio Platform, Midwest Center for Photography, Wichita, KS.  

Benyshek, D. (2024). The art audience as shamanic community. In Y. Owens (Ed.), Trans-Disciplinary Migrations: Science, the Sacred, and the Arts. London, UK: Cambridge Scholars.
 
2022

Artist moves back to Wichita, Kansas, after living in the Cascade Mountains 25 years.

SELECTED AWARDS

2026

WEAD (Women's Eco Art Dialog) Andrée Singer Thompson Scholarship
Project Grant, The Wichita Arts Council


2025
WEAD (Women's Eco Art Dialog) Andrée Singer Thompson Scholarship
Artist Access Grant, Wichita Cultural Arts, Wichita, Kansas

2024
Koch Cultural Trust Enabling Grant

2022
OpenStudios Artist in Residence Grant, Botanica Gardens, Wichita, Kansas

2019
Mary Lou Panter Scholarship, Creativity & Madness, Santa Fe, New Mexico


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