RESEARCH (ARTICLES, CHAPTERS, DISSERTATION)
Shamans were the first
Einsteins, bicyclists, and blue ribbon apple pie bakers.
Shamans receive their calling
from trumpets and Carnegie libraries and youtube hucksters
and commune with disembodied spirits through apples
and smoke signals from radio towers.
Shamans journey to the spirit world
and bring back moon rocks, postcards of the Eiffel Tower, and empty bottles of tequila.
Shamans work for the benefit of their communities,
plug in their electric guitars and collect the garbage.
During times of disbelief or persecution,
shamans secretly do their work standing
in lines, in banks, in grocery stores,
along the branches of family trees.
When you are waiting for your turn at the high dive,
there is always a shaman somewhere in line behind you,
beating a drum,
beating a drum.
Denita Benyshek, © March 1, 2010/November 9, 2017
Many moons ago, at my undergraduate university bookstore, a book jumped off the shelf into my hands. I gazed down at Michael Harner's The Way of the Shaman. I knew nothing of shamanism. I had no interest in shamanism; but, it seemed to be interested in me.
I read the book and found it to be the first description of my artistic creative process and soul landscape. Through many gypsy moves, across many states, I discarded and added books to my library, Yet, I always brought the little Harner paperback with me.
Eventually, I found myself at the universe city of Saybrook Graduate School, where I met academic scholars (and secret practitioners) of shamanism. I studied with the anthropologist Ruth-Inge Heinze. Her work was based on extended fieldwork in Asia. When Ruth was 82 years old, she took me on 4 drum journeys, meaningful, visionary, profound. I also studied with Stanley Krippner and Jurgen Kremer among others. Along with psychology of creativity scholars, Ruth Richards and Steve Pritzker, and humanistic psychologist Art Bohart.
These are my kin, my soul-mind ancestors,
I gradually developed my doctoral dissertation research topic: contemporary artists as shamans. I wrote as participant observer, I was researcher, artist, and budding shaman.
2017 will be the year I finish my book on contemporary artists as shamans.
Articles, book chapters, and dissertation: